
{"id":3162,"date":"2020-03-29T17:00:39","date_gmt":"2020-03-29T17:00:39","guid":{"rendered":"http:\/\/the-edict.in\/?p=3162"},"modified":"2021-04-29T18:03:18","modified_gmt":"2021-04-29T18:03:18","slug":"series-review-she-is-not-really-about-her","status":"publish","type":"post","link":"http:\/\/edictarchive.the-edict.in\/index.php\/2020\/03\/29\/series-review-she-is-not-really-about-her\/","title":{"rendered":"Series Review: &#8216;She&#8217; is Not Really About Her"},"content":{"rendered":"\n<p>By Isa Ayidh, Undergraduate Batch of 2022<br><\/p>\n\n\n\n<p>Netflix India attempts to yet again \u2013 failing with <em>Guilty <\/em>and <em>Lust Stories<\/em> \u2013 pass the Bechdel test with its new series: <em>She<\/em>, this time replacing Karan Johar with Imtiaz Ali.&nbsp;<br><br>Ali doesn\u2019t direct but scripts the story of a female constable, Bhumika Pardeshi (played by Aaditi Pohankar) and her dormant sexuality in the atmosphere of narcotics riddled Mumbai. The viewer sees Bhumika through the eyes of her sexist colleagues, abusive husband, sick mother and over-sexualised sister, as a woman driven by just one thing: desperation.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" width=\"320\" height=\"480\" src=\"http:\/\/the-edict.in\/wp-content\/uploads\/2020\/03\/Screenshot-2020-03-29-at-10.28.10-PM.png\" alt=\"\" class=\"wp-image-3163\"\/><\/figure><\/div>\n\n\n\n<p><br>An agent in the Narcotics Bureau, Jason Fernandez (Vishwas Kini), chooses Bhumi to pose as a prostitute to bring down a high-profile drug smuggler \u2013 Nayak (Kishore Kumar ) \u2013 in an undercover assignment. Bhumi\u2019s transformation is quick \u2013 skimpy clothes, high heels, glossy lips and a sharp tongue. Her first call of action is to trap Sasya (Vijay Varma), Nayak\u2019s accomplice in a brothel.<br><br>In the episode that features Bhumi\u2019s first night as a fake sex worker, she recalls the taunts of her abusive husband, and the narrative illustrates the flashback as a gateway to her arousal. The season finale follows a similar trope: she remembers incidents of abuse during her childhood and continues to have sex with an intensified libido. Ali\u2019s clouded judgment of female sexuality and the effects of sexual violence on a person\u2019s psyche makes one consider just how much time he actually spends researching his characers rather than conjuring them in his own imagination.<br><br>One of the few commendable things about <em>She<\/em> is Varma&#8217;s performance as Sasya \u2013 an insatiable opportunist criminal \u2013 tuning his accent as his role subscribes. <em>She<\/em> concerns its narrative with Varma and you cannot blame directors, Arif Ali and Avinash Das, for dumping all the responsibility to carry the season forward on him. Pohankar&#8217;s character \u2013 although the series is supposed to be about her \u2013 is a sloppily written poster child for female empowerment.<\/p>\n\n\n\n<p>Bhumi appears to get off to all the attention that triggers most survivors of assault but insults her sister for using her sexual prowess as an instrument, although Bhumi herself is doing the same. Pohankar captures the same tesnion that perplexesthe viewer: does Bhumi like posing as a sex-worker?<\/p>\n\n\n\n<p>Although Kishore barely makes an appearance in the seven-episode season, he owns every shot in which he does. The viewers can&#8217;t say the same about Fernadez. Ali could&#8217;ve helped Kini execute him better with a well-rounded character, but alas he&#8217;s just a filler.&nbsp;<\/p>\n\n\n\n<p><em>She<\/em> tries hard to urge women to claim agency of their sexuality, body and society but reduces them to \u201cstarring\u201d in the gazes of the others. Once again, the men get what they want, as they \u2018grant\u2019 women the illusion of power.<br><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Isa Ayidh, Undergraduate Batch of 2022 Netflix India attempts to yet again \u2013 failing with Guilty and Lust Stories \u2013 pass the Bechdel test with its new series: She, this time replacing Karan Johar with Imtiaz Ali.&nbsp; Ali doesn\u2019t direct but scripts the story of a female constable, Bhumika Pardeshi (played by Aaditi Pohankar)&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3164,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[27,232],"_links":{"self":[{"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/posts\/3162"}],"collection":[{"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/comments?post=3162"}],"version-history":[{"count":3,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/posts\/3162\/revisions"}],"predecessor-version":[{"id":5044,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/posts\/3162\/revisions\/5044"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/media\/3164"}],"wp:attachment":[{"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/media?parent=3162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/categories?post=3162"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/edictarchive.the-edict.in\/index.php\/wp-json\/wp\/v2\/tags?post=3162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}